Some
projects have progressed in a variety of forms -
sculpture, monoprinting, photograms, and recently
some short films. These have simply provided a different
way of recording events as they unfold. Each of
these films have been recorded with a small, cheap
digital camera which provides a grainy, pixellated
image. In most cases, these images are advantageous
for enhancing distortion and chance effects. Still
images are editied into the clips with carefully
chosen soundtracks from a variety of sources.
This was an art school brief for over the 2008/9 winter break. The final edit managed to stay close to the original idea. Although this was a messy and uncomfortable process, the finished result evokes serenity and rhythm as well as an atmosphere of the uncanny.
This
is the first experimental film made for its own
sake. The music was created first and the visual
images were sourced and recorded to accompany it.
With a slow, minimalistic start, the music and images
progress to a crescendo of intensity.
The Lepris project had no finished
'artwork'. Instead, the very existence of Lepris
served as the art - a human analogue. Lepris had
a lifespan, a means to be created, age, decay, and
a means to impact on the existence of those who
experienced him. This film summarises his existence
and eventual explosive demise.
Towards
the end of this project, Lepris' display table was
recycled as a representation of death and rebirth.
The table was burned and the ashes used to fertilise
a new rose plant.
At
the art school, we were given a simple project brief
for over the winter break - make a self portrait
using any means you like. I took the little camera
with me as I walked the West Highland Way. The weather
was appalling and I cut the trip short. Ultimately,
the film took images of myself in the country and
city. It became what it is - complemeted by some
beautiful experimental music, courtesy of my brother
Chris.